room one — discipline 01 / 04 clay · kiln · oxide

Ceramics, slowly.

Stoneware mostly — thrown, trimmed, dipped, fired in reduction. Glazes are mixed by the bucket and labeled in pencil. The kiln shed runs hot every other Sunday.

no. 3 — ochre
tenmoku, iron-black
low bowl, salt-fired
tall vase, study
tea bowl, foot ring detail
/ pieces

Selected vessels.

A small set, photographed on the workshop bench. Tap a card to imagine you're picking it up.

2024
fig. 01 — thrown series
Ceramics

Thrown Series — No. 3, Ochre

Stoneware, oxide glaze · 2024

fig. 02 — tenmoku
Ceramics

Tenmoku Vessel — Iron Black

High-fire reduction · 2023

salt-fired, no. 5
Ceramics

Salt-fired Pot — No. 5

Stoneware, salt vapour · 2024

three vessels — graduated, 2023
Ceramics

Graduated Set — Three Vessels

Wood-fired stoneware · 2023

/ how

From bag to shelf.

A rough sketch of the process. Skipping the bits where the pot collapses on the wheel.

1

Wedge the clay

A speckled stoneware from a quarry near Stoke. Wedged on the bench until the air pockets give up.

2

Throw, slowly

Centred at low rpm, opened, pulled in three or four passes. The thinner ones come back another day.

3

Bone dry, then bisque

A few weeks of slow drying. Bisque to 990°C — long enough to read a novel beside the kiln.

4

Glaze & reduce

Tenmoku, ash, oatmeal — dipped or poured. Final fire to cone 10, reduction atmosphere.

/ next

Onwards →

Textiles · Illustration · Blueprint · All work